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8 January 1836 – 25 June 1912. Most renowned painters.

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CARLEVARIS, Luca
The Wharf, Looking toward the Doge s Palace

ID: 05830

CARLEVARIS, Luca The Wharf, Looking toward the Doge s Palace
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CARLEVARIS, Luca The Wharf, Looking toward the Doge s Palace


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CARLEVARIS, Luca

Italian Baroque Era Painter, ca.1665-1731  Related Paintings of CARLEVARIS, Luca :. | The Reception of Cardinal Cesar d Estrees (detail) | View of the Wharf from the Bacino di San Marco g | Santi Giovanni e Paolo and the Scuola di San Marco fg | The Molo with the Ducal Palace fdg | The Rialto Bridge d |
Related Artists:
Lucas Cranach the Elder
b. 1472, Kronach, d. 1553, Weimar. German painter and printmaker. He took his name from the town of his birth. Little is known about his early life or training. In Vienna (c. 1501 ?C 04) he painted some notable portraits and landscapes characteristic of the Danube school. From 1505 to 1550 he was court painter in Wittenberg, where he achieved great success and wealth painting portraits, mythological subjects, and altarpieces for Protestant and Catholic churches. He attracted so many young artists to Wittenberg that the town became an art centre. A friend of Martin Luther, Cranach became known as the chief pictorial propagandist of the Protestant cause in Germany. He produced numerous engravings and more than 100 woodcuts, notably for the first German edition of the New Testament (1522). After his death, his style was perpetuated by his son, Lucas the Younger (1515 C 86).
Alphonse Asselbergs
Belgian, 1839-1916
WILLAERTS, Adam
Dutch painter (b. 1577, Antwerpen, d. 1664, Utrecht) During his early years in Antwerp he was impressed with the colourful paintings of the Fleming Jan Breughel the elder, but the subject and style of his earliest known picture, Dutch East Indiamen off the West African Coast (1608; Amsterdam, Hist. Mus.), presumably painted after the artist's arrival in Holland, shows the influence of the Dutch marine painter Hendrick Cornelisz. Vroom. In this painting Willaerts adopted Vroom's austere compositional scheme of an uninterrupted horizontal expanse of water with no framing devices,






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